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At first I felt like the maps of Tuniitaq and Aztatlan were too plain, too austere, but I really couldn't put my finger on what would make them better. I thought about adding mountains, but I knew that wasn't quite it. Not by themselves, anyway. Suddenly, inspiration struck (as it often does) when I least expected it: while re-reading Robert Jordan's The Eye of the World, I glanced at the first pages of the book and realized that the map of Randland (or whatever it's called - Jordan never really gave a name to the world he spent decades chronicling, strangely) contained exactly what I was looking to add to my maps! All the forests and rivers and mountains, all the squiggly little waves along the shorelines, all the little details which set hand-drawn maps apart from super-accurate and super-sterile Google Maps screenshots... those maps were exactly what I wanted my maps to look like!
It just goes to show that when you can't figure out what to do next, the best answer is often "take a break and go do something completely different".
It just goes to show that when you can't figure out what to do next, the best answer is often "take a break and go do something completely different".
Hello (again), world!
It's been half a decade since I drew anything at all, but since the coronavirus quarantine began, I've had a chance to rekindle some old hobbies. Returning to drawing has been a pleasant experience so far; I'm badly out of practice, and I was never great to begin with, but something has changed over the last five years. I think I've learned not to judge myself so harshly. That was why I quit, actually. I was so self-critical and hard on myself that drawing lost all joy for a long time, and became an exercise in failing to measure up to the lofty standards I had set for myself. Maybe I've mellowed with age, but I don't feel the need to criticize myself so harshly anymore. Don't get me wrong, I can still see the flaws in my artwork (and there are a lot of them), and I know that I need a lot more practice to even get back to where I was when I stopped drawing, but I'm also aware that I can still draw better than most people could, and I'm able to take pleasure in the creative process
Breathe
I think that one of the main reasons I don't draw as often as I used to is that I take it way too seriously. I need to relax and enjoy the process.
Out of Practice
Lately, the hardest part of drawing is just finding the time to do it. I'm working three jobs right now (Cashier, Cleaning Technician, and Interim Office Professional), so most days there's barely enough time to shower, shave, eat breakfast/dinner, and drive to/from work. I feel like I've been out-of-practice, and my art has suffered for it. Not that I'm churning out an inferior product; just that it takes longer, and I need to make more drafts and sketches, before I'm comfortable submitting the final version.
But I'm finally posting my work on the Fleshforge Legacy, so that's a good sign! I've got a few more waiting in the wings: I'll ink a
State of the Artist
I already have a blog of my own, so what should I put in this space on DA? Well, the obvious choice seems to be blogs that relate to art in general, and to my art in particular.
It's been a while since I really used DA with any frequency, so here's my "State of the Artist address," so to speak:
I'm really looking forward to spring. Better weather means more chances to get outside and draw by natural light, as well as more flora and fauna to depict. Inking will also be a lot easier, since I'll be able to do it on the porch, where I don't have to worry about spilling indelible India ink on Brianna's nice carpets.
I've noticed, too, that late
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